Tag Archives: Christine McCarty

Photographer’s Choice – Christine McCarty

Simple Can Be Better

Christine McCarty - Hand With Guitar

Christine McCarty - Hand With Guitar

There’s no missing the focal point in this image. The focus is is on the hand, not the guitar but the two go together to tell the gentle story. Christine chose to place the subject in soft, filtered natural light placed against a dark background to prevent any extraneous objects from distracting the eye. A narrow depth of field provided sharp focus on the hand with a gradual softening as the neck with the head and tuning keys points to the upper right. The final touch is to render the scene in black and white adding to the classical look. Overall, a very pleasing image.

Camera: Canon EOS REBEL T3 with an EF-S18-ffmm f/3.5-5.6 ISII Lens
Exposure: 1/60 sec
Aperture: f/4.5
ISO: 800

Photos of the Week – Christine McCarty and Nancy Bowers

Two Photographers, Same Subject, Different Perspectives

Christine McCarty - Ravenel Bridge - Charleston SC

Christine McCarty - Ravenel Bridge - Charleston SC

Nancy Bowers - Ravenel Bridge - Charleston, SC

Nancy Bowers - Ravenel Bridge - Charleston, SC

The coastal sounds and ocean air seem to awaken the creative juices in Nancy and Christine. Remember Nancy’s “Princess” and the two women “Frolicking on the Beach“? And Christine’s recent “Dock Reflection” at the Outer Banks? The images above continue the tradition.
The Arthur Ravenel, Jr. Bridge in Charleston crosses over the Cooper River but does more than get you from point A to Point B. Like the Sydney Opera House in Australia, it has a life and grace that goes beyond the utilitarian and gives the impression that it is organic with it’s surroundings. One could easily take a photo every day for a year and not come close to exhausting the possibilities. Christine’s shot is all leading and converging lines, repeating pattens, shapes, reflections and sunrise colors balanced by the horizontal lines of the river bank, the horizon and the cloud patterns. The eye is inevitably drawn to the open area near the top of the support tower with the sun breaking through the clouds. Nancy’s view shows the bridge in a more gentle mood, quietly majestic in the distance. Even the bulk and size of the foreground ship can’t compete with the graceful form created by the shining cables and center support tower. Both images are perfect examples of how effective the Rule of Thirds can be and how important framing is to convey a scene just as the photographer intended.